The Master and Margarita: Photo illustrations by Mikhail Stavsky and Nikolay Jolin

The Master and Margarita:Photo illustrations by Mikhail Stavsky and Nikolay Jolin

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Mikhail StavskyMikhail Stavskywww.coroflot.com

In 2000 — the year The Master and Margarita turned sixty (Bulgakov, after all, wrote it up until his death in 1940) — designer Mikhail Stavsky and photographer Nikolai Zholin created a set of photo‑illustrations for a telecom company’s calendar. Unsurprisingly, each image puts a telephone front and center.

  • “So there’s really none, then?“

    “Calm down, calm down, calm down, professor, Berlioz muttered, afraid of upsetting the patient. Sit here a minute with Comrade Bezdomny—I’ll just run to the corner, give a ring, and then we’ll take you wherever you wish.“

    Artwork #1 | Mikhail Bulgakov, “The Master and Margarita”
  • “Police? Ivan shouted into the receiver. Police? Comrade duty officer, dispatch five motor‑cycles with machine‑guns to catch the foreign consultant. What? Pick me up—I’ll come with you. Poet Bezdomny speaking from the madhouse.“

    Artwork #2 | Mikhail Bulgakov, “The Master and Margarita”
  • “Hello, Grigory Danilovich, Stepa said quietly. This is Likhodeev. The thing is… er… I’ve got this… um… artiste Woland here… So I wanted to ask—what about tonight?“

    Artwork #3 | Mikhail Bulgakov, “The Master and Margarita”
  • “Hallo! I feel bound to report that the chairman of house association No. 302‑bis on Sadovaya, Nikanor Ivanovich Bosoy, is dealing in hard currency.“

    Artwork #4 | Mikhail Bulgakov, “The Master and Margarita”
  • “Give me an emergency call to Yalta“, Rimsky said into the phone.

    “Smart!” Varenuhka thought to himself.

    Artwork #5 | Mikhail Bulgakov, “The Master and Margarita”
  • The telephone itself burst into ringing in the deadly silence, straight in the finance director’s face; he started and turned cold. “My nerves are shot,” he thought, lifting the receiver—only to recoil and turn white as paper.

    Artwork #6 | Mikhail Bulgakov, “The Master and Margarita”
  • “Hallo!“, said the shameless chambermaid, one foot on a chair as she lifted the handset.

    Artwork #7 | Mikhail Bulgakov, “The Master and Margarita”
  • At a huge desk sat an empty suit, guiding a dry pen across the paper. There was no head above the collar, no hands in the cuffs, yet the suit worked on, oblivious to the uproar around it.

    Artwork #8 | Mikhail Bulgakov, “The Master and Margarita”
  • Replacing the receiver, the professor turned, screamed—and saw a nurse in a kerchief bearing a bag labeled “Leeches.” Her mouth was a man’s, crooked to the ears with a single fang; her eyes were dead.

    Artwork #9 | Mikhail Bulgakov, “The Master and Margarita”
  • “A downright brigand’s mug!“ Margarita thought, studying her street companion.

    Artwork #10 | Mikhail Bulgakov, “The Master and Margarita”
  • “Azazello speaking,“ said the voice in the receiver.

    “Dear, dear Azazello!” cried Margarita.

    “Time to fly,” Azazello replied, his tone pleased by Margarita’s joyous outburst.

    Artwork #11 | Mikhail Bulgakov, “The Master and Margarita”
  • A fat fellow in a black silk top‑hat, hiccupping and reeking of cognac, emerged from the bushes; learning that Margarita had come on a broom, he rigged up a makeshift telephone from two sticks and demanded a car at once.

    Artwork #12 | Mikhail Bulgakov, “The Master and Margarita”

And there's much more to see!

Don't forget to check out the rest of the illustrations