The Master and Margarita: Eccentric illustrations by Pedro Uhart

The Master and Margarita:Eccentric illustrations by Pedro Uhart

July 14
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The Chilean artist of Basque origin Pedro Uhart was born in 1938. He initially began studying economics at the University of Concepción, but quite soon realized his true calling and, after moving to Europe in 1965, enrolled in the École des Beaux-Arts in Paris. He soon abandoned it, however, finding the teaching there too academic (and looking at his drawings, one understands what he meant).

Uhart’s work often draws upon the folklore motifs of his native Chile and is distinguished by the use of pure, vivid colors outlined in strong black contours. The artist regularly took part in international exhibitions (including, for example, the Paris Biennale) and also held his own shows in France, Spain, the USA, Germany, Switzerland, and beyond. Pedro Uhart’s works are held in the collections of the Centre Pompidou and the Musée d’Art Moderne de Paris, the National Library of France, and the Guggenheim Museum in New York.

Among other things, Uhart created a series of works illustrating The Master and Margarita — in his signature style, with bright colors and expressive manner.

  • At Patriarch’s Ponds

    Artwork #1 | Mikhail Bulgakov, “The Master and Margarita”
  • Yeshua Ha-Notsri before Pilate

    Artwork #2 | Mikhail Bulgakov, “The Master and Margarita”
  • A Soviet woman, a Komsomol member, cut off Berlioz’s head

    Artwork #3 | Mikhail Bulgakov, “The Master and Margarita”
  • Behemoth the Cat on the tram

    Artwork #4 | Mikhail Bulgakov, “The Master and Margarita”
  • Homeless in the restaurant

    Artwork #5 | Mikhail Bulgakov, “The Master and Margarita”
  • And in the clinic

    Artwork #6 | Mikhail Bulgakov, “The Master and Margarita”
  • The ladies after visiting the shop on the Variety stage

    Artwork #7 | Mikhail Bulgakov, “The Master and Margarita”
  • The meeting of the title characters

    Artwork #8 | Mikhail Bulgakov, “The Master and Margarita”
  • The Master’s Arbat basement

    Artwork #9 | Mikhail Bulgakov, “The Master and Margarita”
  • “Did you really come without a sword?”

    Artwork #10 | Mikhail Bulgakov, “The Master and Margarita”
  • The empty suit

    Artwork #11 | Mikhail Bulgakov, “The Master and Margarita”
  • Margarita and Azazello

    Artwork #12 | Mikhail Bulgakov, “The Master and Margarita”
  • Margarita after applying the witch’s cream

    Artwork #13 | Mikhail Bulgakov, “The Master and Margarita”
  • On the way to the sabbath

    Artwork #14 | Mikhail Bulgakov, “The Master and Margarita”
  • Making the acquaintance of Woland’s retinue

    Artwork #15 | Mikhail Bulgakov, “The Master and Margarita”
  • Margarita greeting the guests at Satan’s ball

    Artwork #16 | Mikhail Bulgakov, “The Master and Margarita”
  • The former boar demanding a certificate from the unclean powers

    Artwork #17 | Mikhail Bulgakov, “The Master and Margarita”
  • Apparently Aloisius Mogarych, boasting of the bathtub he installed in the Master’s basement

    Artwork #18 | Mikhail Bulgakov, “The Master and Margarita”
  • In Torgsin

    Artwork #19 | Mikhail Bulgakov, “The Master and Margarita”
  • Behemoth and Koroviev in the Griboyedov Restaurant. Archibald Archibaldovich, having grabbed the balyk, makes a hasty exit

    Artwork #20 | Mikhail Bulgakov, “The Master and Margarita”
  • The Master and Margarita returned to the Arbat basement

    Artwork #21 | Mikhail Bulgakov, “The Master and Margarita”
  • Azazello is being received as a guest

    Artwork #22 | Mikhail Bulgakov, “The Master and Margarita”
  • Flight on magic horses

    Artwork #23 | Mikhail Bulgakov, “The Master and Margarita”
  • Pilate and Yeshua walking along the moonlit path

    Artwork #24 | Mikhail Bulgakov, “The Master and Margarita”

And there's much more to see!

Don't forget to check out the rest of the illustrations