Peter Suart worked in Hong Kong from 1985 as an artist, musician, writer, and theatrical performer. Since 1999 he has lived in England, where he continues his creative career. In 2007 he illustrated The Master and Margarita for The Folio Society publishing house, earning our attention.
Woland decapitates Berlioz with a tram (which is quite untrue—Woland had an alibi!)

Ivan in the clinic

Behemoth and Azazello drag the administrator Varenukha away (brings to mind Bulgakov’s own line: “Moscow, I see you in skyscrapers!”).

Behemoth tears off the emcee’s head at the Variety (Georges Bengalsky is no slouch either—he grabbed Behemoth by the paw).

Red‑haired Hella

The execution on Bald Mountain (note: each frame carries its print number at the bottom)

Margarita’s nightmare—the Master in the Gulag (and completely incongruous flashes of Super Mario)

Margarita smashes Dramlit’s house (and the picture frame while she’s at it)

Before the ball (Woland appears in two guises at once: playing chess and showing Margarita the magic globe)

Everything is topsy‑turvy in Oblonsky’s house (Queen Margot is still greeting guests, while the impetuous Azazello has already shot Baron Maigel in the corner)

The last flight (somehow a cast‑iron Prince Vladimir with a sword from Bulgakov’s The White Guard has wedged himself into the middle of Woland’s retinue)

Pilate and Yeshua take the moonlit road (and the Master turns into Lev Tolstoy, neatly illustrating the Tolstoyan strains in the novel)


