The Master and Margarita: Photo project by Retro-Atelier

The Master and Margarita:Photo project by Retro-Atelier

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The photographic studio Retro-Atelier and the people who make it up are inspired by the aesthetics of bygone eras (as one might guess from the name). Fortunately for us, the years of The Master and Margarita are now quite a long time ago. So when the sponsor of the Kyiv Museum of Bulgakov, Ukrsibbank, suggested to Retro-Atelier that they create a large, beautiful calendar with photographic illustrations for the novel, the result was beyond all praise. It was so well-received that the project didn't stop at just one calendar, and for a couple of years, visitors to the Retro-Atelier blog could follow the unfolding story, which resulted in several dozen illustrations.

The artists' overriding goal (business is business, but what is an artist without an overriding goal?) was to catch up with and surpass the world-famous works of Jean-Daniel Lorieux. Let the first person who says they didn't succeed cast the first stone at me.

  • “And it was just at that time, when Mikhail Alexandrovich was telling the poet about how the Aztecs made a figurine of Huitzilopochtli out of dough, that the first person appeared in the alley.”

    Woland at Patriarch’s Ponds | Mikhail Bulgakov, “The Master and Margarita”
  • “In a white cloak with a blood-red lining, with a shuffling cavalry gait, in the early morning of the fourteenth day of the spring month of Nisan, the procurator of Judea, Pontius Pilate, emerged into the covered colonnade between the two wings of the palace of Herod the Great.”

    Pontius Pilate in a White Cloak with a Blood-Red Lining | Mikhail Bulgakov, “The Master and Margarita”
  • Or, perhaps, this way

    Pontius Pilate | Mikhail Bulgakov, “The Master and Margarita”
  • “Is it me you call a good person?”

    Yeshua | Mikhail Bulgakov, “The Master and Margarita”
  • “Leading the arrested man from beneath the columns into the garden, Ratslyer took the scourge from the hands of the legionary standing at the foot of the bronze statue...”

    Yeshua and Mark Ratslayer | Mikhail Bulgakov, “The Master and Margarita”
  • “The Roman procurator should be called Hegemon. Say no other words.”

    Centurion Mark Ratslayer | Mikhail Bulgakov, “The Master and Margarita”
  • “‘I don't have any donkey, Hegemon,’ he said. ‘I arrived in Yershalaim precisely through the Susa Gate, but on foot, accompanied by only Matthew Levi, and no one shouted anything to me, as no one in Yershalaim knew me then.’”

    Yeshua and a Donkey | Mikhail Bulgakov, “The Master and Margarita”
  • ”This is me telling you—Pilate of Pontus, the Golden Lance Knight.”

    Pilate and Caiaphas | Mikhail Bulgakov, “The Master and Margarita”
  • “‘The names of the criminals are Dismas, Gestas, Var-ravvan, and Ha-Notsri. Here they are before you!‘ Pilate pointed his hand to the right, seeing no criminals but knowing that they were there, where they were supposed to be.”

    Lithostrotos | Mikhail Bulgakov, “The Master and Margarita”
  • “At that very moment, the tram came flying up, turning onto the newly laid line from Yermolayevsky Lane to Bronnaya Street. Turning and heading onto the straight section, it was suddenly lit up from inside by electricity, howled, and sped up.”

    The Tram | Mikhail Bulgakov, “The Master and Margarita”
  • “Ivan gasped, looked into the distance, and saw the hateful stranger. He was already at the exit to Patriarch's Lane, and not alone. The more-than-dubious choirmaster had managed to join him. But that wasn't all: the third member of this company turned out to be a cat who had appeared from who knows where, as huge as a boar, as black as soot or a rook, and with a desperate cavalry mustache.”

    Woland’s Retinue at Patriarch’s Ponds | Mikhail Bulgakov, “The Master and Margarita”
  • “The stranger did not allow Styopa’s amazement to develop into a painful state and skillfully poured him half a shot of vodka.”

     Stepa Likhodeev with a Hangover | Mikhail Bulgakov, “The Master and Margarita”
  • “‘You don't look like a bishop, Azazello,’ the cat remarked.”

    Azazello with a Sword | Mikhail Bulgakov, “The Master and Margarita”
  • “Hello! I consider it my duty to inform you that our chairman of the residents' cooperative of house number three hundred and two-bis on Sadovaya Street, Nikanor Ivanovich Bosoy, is a currency speculator.”

    Koroviev on the Telephone | Mikhail Bulgakov, “The Master and Margarita”
  • “And the door opened again, and in came that very one...
    ‘It's her!’ Rimsky thought with a kind of anguish.”

    The Telegram at the Variety Theatre | Mikhail Bulgakov, “The Master and Margarita”
  • “The girl, though a little husky, began to sing sweetly, with a slight burr, something not very understandable, but, judging by the women's faces in the stalls, very tempting:
    ‘Guerlain, Chanel No. 5, Mitsouko, Narcisse Noir, evening dresses, cocktail dresses...’”

    Women Trying on Dresses at the Variety Theatre | Mikhail Bulgakov, “The Master and Margarita”
  • “Just then, in the crimson light from the fireplace, a sword flashed before the bartender, and Azazello placed a sizzling piece of meat on a golden plate, poured lemon juice over it, and offered the bartender a golden two-pronged fork.”

    Azazello Roasting Meat | Mikhail Bulgakov, “The Master and Margarita”
  • “Hella turned, the bartender mentally spat and closed his eyes. When he opened them, Hella was handing him his hat and a sword with a dark hilt.”

    (In this project, all the actors are good, but Hella... Hella is simply magnificent! Perhaps the best of all the Hellas I have ever seen).

    The Best Hella | Mikhail Bulgakov, “The Master and Margarita”
  • There's also this Hella

    Hella | Mikhail Bulgakov, “The Master and Margarita”
  • “‘So why did you end up here?’
    ‘Because of Pontius Pilate,’ Ivan replied, looking gloomily at the floor.”

    The Master and Ivan Homeless | Mikhail Bulgakov, “The Master and Margarita”
  • “You shouldn't have such big plans, my dear neighbor, really! I, for example, wanted to travel all around the globe. Well, it turns out it wasn't meant to be. I only see an insignificant piece of this globe. I think it's not the best there is, but, I repeat, it's not so bad. Summer is coming to us, and ivy will twine on the balcony...”

    The Master and Ivan Homeless | Mikhail Bulgakov, “The Master and Margarita”
  • “She carried in her hands some repulsive, disturbing yellow flowers. And these flowers stood out very distinctly against her black spring coat.”

    Margarita with Yellow Flowers | Mikhail Bulgakov, “The Master and Margarita”
  • Or even this way

    Margarita with Yellow Flowers | Mikhail Bulgakov, “The Master and Margarita”
  • “She came to me every day, and I would start waiting for her in the morning. This waiting was expressed by me rearranging the objects on the table. Ten minutes before she arrived, I would sit down at the window and begin to listen, wondering if the old wicket gate would creak.”

    The Master Smoking | Mikhail Bulgakov, “The Master and Margarita”
  • “When the May thunderstorms came and water loudly rolled past the dim windows into the gate, threatening to flood the last refuge, the lovers would light the stove and bake potatoes in it.”

    The Master and Margarita in the Arbat Basement | Mikhail Bulgakov, “The Master and Margarita”
  • Manuscripts don't burn!

    Margarita Pulls the Manuscript from the Stove | Mikhail Bulgakov, “The Master and Margarita”
  • “Twilight fell, and lightning furrowed the black sky. Suddenly, fire burst from it, and the centurion's cry, ’Take off the chain!‘ was drowned in the roar. The happy soldiers rushed down the hill, putting on their helmets. Darkness covered Yershalaim.”

    Roman Legionaries | Mikhail Bulgakov, “The Master and Margarita”
  • “‘Then please receive this,’ said Azazello, and taking a round golden box from his pocket.”

    Azazello Gives Margarita the Cream | Mikhail Bulgakov, “The Master and Margarita”
  • “From the mirror, a naturally curly, dark-haired woman of about twenty looked back at the thirty-year-old Margarita.”

    Margarita at the Mirror | Mikhail Bulgakov, “The Master and Margarita”
  • “Whether the rook knew his business well, or whether the machine was good, but soon Margarita, opening her eyes, saw not the darkness of the forest below her, but the trembling lake of Moscow's lights.”

    Margarita in the Magic Car with the Rook-Chauffeur | Mikhail Bulgakov, “The Master and Margarita”
  • “The cat, holding the binoculars away from his eyes, quietly nudged his king in the back.”

    The Cat Behemoth Playing Chess | Mikhail Bulgakov, “The Master and Margarita”
  • “Neither Gaius Caesar Caligula nor Messalina interested Margarita any longer, just as none of the kings, dukes, cavaliers, suicides, poisoners, hanged men and procuresses, jailers, swindlers, executioners, informers, traitors, madmen, detectives, or seducers interested her. All their names became jumbled in her head, their faces melding into one enormous pancake.”

    Margarita at the Ball | Mikhail Bulgakov, “The Master and Margarita”
  • “No one knew, and probably no one ever will, what this woman did in Moscow or by what means she existed. All that was known about her was that she could be seen daily with either a can or a bag, or both a can and a bag together—either at the kerosene shop, or at the market, or under the gates of a house.”

    Annushka Spilled the Oil | Mikhail Bulgakov, “The Master and Margarita”
  • “‘I am not being naughty, I am not bothering anyone, I am mending my primus stove,‘ the cat said, frowning unfriendily, ‘and I also consider it my duty to warn you that a cat is an ancient and inviolable animal.’”

    The Cat Behemoth with the Primus Stove | Mikhail Bulgakov, “The Master and Margarita”
  • By the way, according to the photographer, the model didn't like being photographed, and as a result, he scratched everyone.

    The Black Cat | Mikhail Bulgakov, “The Master and Margarita”
  • “A pale and bored citizen in white socks and a white beret with a tassel sat on a Viennese chair at the entrance to the veranda in the corner, where the entrance to the restaurant was arranged in the greenery of the trellis. On a simple kitchen table in front of her lay a thick, ledger-style book, in which the citizen, for some unknown reason, was writing down those who entered the restaurant. It was this very citizen who had stopped Koroviev and Behemoth.”

    Sofya Pavlovna at the Griboyedov House | Mikhail Bulgakov, “The Master and Margarita”
  • “Woland sat on a folding stool, dressed in his black soutane...”

    The Shadow of Woland’s Sword | Mikhail Bulgakov, “The Master and Margarita”
  • “Thus they flew in silence for a long time...”

    The Master and Margarita on Horseback | Mikhail Bulgakov, “The Master and Margarita”
  • ”He was walking accompanied by Banga, and next to him walked the wandering philosopher. They were arguing about something very complicated and important, and neither of them could get the better of the other. They disagreed on everything, and this made their argument especially interesting and endless.”

    Yeshua and Pilate on the Moonlit Path | Mikhail Bulgakov, “The Master and Margarita”
  • “Oh, thrice romantic Master, do you really not want to walk with your beloved during the day under the cherry trees that are just beginning to blossom, and listen to Schubert's music in the evening?”

    The Master and Margarita: Eternal Refuge | Mikhail Bulgakov, “The Master and Margarita”
  • P.S. And a photo for memory

    Woland’s Retinue | Mikhail Bulgakov, “The Master and Margarita”
  • ”He who loves must share the fate of the one he loves.”

    The Master | Mikhail Bulgakov, “The Master and Margarita”
  • Banga in a Moscow communal apartment

    Banga | Mikhail Bulgakov, “The Master and Margarita”

And there's much more to see!

Don't forget to check out the rest of the illustrations