Mihail Brunea began as a painter. Yet while he still felt his skills were not quite equal to everything he had in mind, he set about making several carnival masks: with them one could become Woland, Behemoth, Korovyev, or Azazello—whole gang is right in your face (and on your face—ba‑dum‑tss!). Each finished mask was mounted on a sheet of draped cardboard that served as a cloak and then placed in a frame. By the time those were complete, his painting technique had caught up, so the fully rendered illustrations followed.
Woland

The same portrait viewed at an angle

Behemoth

Koroviev

At Patriarch’s Ponds

Pontius Pilate

Mark Ratslyer

Yeshua

And for comparison—Jesus

Matthew Levi

Judas

At Patriarch’s Ponds

Mark Ratslyer

The chase after Woland’s gang

Or in this form

Woland visiting Likhodeev—or is it Likhodeev visiting Woland?

Hella climbing in through Rimsky’s window

And, to conclude, Bulgakov himself against the backdrop of Woland’s cloak


